Deutsche Grammophon to release Rolando Villazón’s newest album, Mozart Concert Arias on January 21, 2014
Tenor Rolando Villazón is putting the focus squarely on his most beloved of composers: the coming year will be “all Mozart, all the time,” Villazón proclaims, and presents his new album, Mozart Concert Arias – a collection of rarely recorded concert arias for tenor, recorded with Sir Antonio Pappano and the London Symphony Orchestra. The album will be released January 21, 2014 in the US.
“It is as if I have uncovered a whole new world,” says Villazón of the album. “No composer speaks to me as directly as Mozart. He is like a dear companion.”
Music critics too, have taken note of the almost symbiotic relationship between the tenor and the composer. Like Mozart, Villazón is “the kind of electric performer that fills the house with bravos. He delivers exquisite power and purity. Flamboyant, yes, but artistically sound,” remarked the Toronto Star. He is “the ideal singer to interpret Mozart, because he has the necessary passion,” wrote the Tagesspiegel of a performance at the Salzburg Festival in August. When Villazón performs Mozart, “he brings together the powerful stage presence, the nuanced intonation, the humor, courage and curiosity that’s only heard every few decades.”
Villazón’s immersion in Mozart’s works will dominate his performance calendar throughout the coming year. He has taken on the role of Don Ottavio in two stage productions of Don Giovanni, the first was conducted by Barenboim for the Staatsoper Berlin, the second at the Wiener Staatsoper. In July, he continues his collaboration with Yannick Nézet-Séguin for a recording of Die Entführung aus dem Serail. It will be the third of seven planned recordings in Deutsche Grammophon’s cycle of Mozart’s mature operas. Villazón sings the lead tenor roles and is joint artistic consultant for the entire project, for which he also won the sponsor ROLEX. “This is my most ambitious artistic project ever,” says Villazón. “I’ve never been so obsessed with a passion for a composer before!”
With the new album release, the ongoing opera cycle and the stage productions of Don Giovanni, Villazón’s total focus on Mozart might seem complete, but that is not all: He will also make six appearances as Ferrando in a new production of Così fan tutte at La Scala, also conducted by Daniel Barenboim, and performs with Marc Minkowski and Les Musiciens du Louvre in Salzburg to mark the composer’s birthday during Mozartwoche 2014. Villazón also takes to the road in the spring with the Basel Chamber Orchestra for performances of the concert arias. His itinerary follows the course of Mozart’s own travels, opening at the Smetana Hall in Prague before visiting Munich, Vienna, Paris, Dortmund and closing in London. During the 2014 Salzburg Summer Festival, he will appear in the prestigious Mozart Matinees.
It was, in fact, during Villazón’s ongoing research for his numerous stage roles that he discovered the little-known works now on Mozart Concert Arias. While browsing through scores of Don Giovanni and Così fan tutte, he came across an edition of Mozart’s tenor concert arias gathering dust in a Munich music store. “I was captivated and knew straight away that I wanted this to be my next recording project,” notes Villazón. He found an enthusiastic collaborator in conductor Pappano, and together they selected ten arias for tenor and orchestra to include on the album which span Mozart’s career and chart a wide emotional range, from pathos and tragedy to joy and comedy.
1. Si mostra la sorte, K 209
2. Lo sposo deluso ‒ Dove mai trovar quel ciglio? K 430
3. Per pietà, non ricercate, K 420
4. Va’, dal furor portata, K 21
5. Misero! O sogno o son desto? K 431
6. Aura che intorno spiri, K 431
7. Con ossequio, con rispetto, K 210
8. Or che il dover, K 36
9. Tali e cotanti sono, K 36
10. Clarice cara mia sposa, K 256
11. Se al labbro mio non credi, K 295
12. Müsst ich auch durch tausend Drachen, K 435
Rolando Villazón tenor
London Symphony Orchestra